Tag Archives: Anime

Alchemy of the Face: “Fullmetal Alchemist: Brotherhood” and Facial Emotion

by Brendan Decicio

This paper utilizes the Japanese anime Fullmetal Alchemist: Brotherhood to evaluate different uses of facial close-up. Drawing heavily from the theoretical works of Bela Belaz and Maya Deren, the examination reveals that the seriously realistic and absurdly impossible are often juxtaposed in anime, yet do not contradict each other. Instead, the combination of realistic close-up and “super- deformed” aesthetic is employed equally to demonstrate a variety of emotional responses in recognizable, stylized ways.

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