Speed Racer and the Child Empowered

by Amanda Barwick

The character depictions of Rex, Speed, and Spritle in Speed Racer (2008) demonstrate a range of how children can be empowered within their own environments and understanding. The aesthetic, technology, and depiction of the family in the film allow Speed, the representation of the empowered child, to exert control over his situation and express himself through his own strengths.

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Serial Absurdity: Arrested Development and Wartime Comedy in the United States

by Anne Hart

This essay explores the contrast between American wartime cultures of the 20th and 21st centuries by examining two popular comedy television shows in each century: Larry Gelbart’s MASH and Mitchell Hurwitz’s Arrested Development. While Arrested Development uses many of the comedic devices employed in MASH, it deviates in critical ways that expose the atmosphere shift of a 21st century disillusioned by and removed from its previous century’s traditionally presented attitudes.

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Canceling the Apocalypse: Globalization Processes in Guillermo del Toro’s Pacific Rim

by Deidrene Crisanto

Guillermo del Toro’s 2013 science fiction fantasy film, Pacific Rim, is a visually striking narrative that depicts an unconventional alien invasion and humanity’s equally exciting response. A summer blockbuster with high entertainment value, this sci-fi narrative is a colorful exhibition of globalization processes. This essay explores some of the processes of globalization exhibited in this narrative world.

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